Harlequin

Harlequin 和 Linear Collection 的極簡主義和裝飾,合同部門的理想建議,源於將設計解釋為表達不同字體和樣式的一種方式,以最好地適應每個設計輸入。這一概念在不尋常的把手、真正的風格元素紋理中得到了最大的體現,您可以通過這些元素創造不同的外觀,並且始終追求現代品味,因為門具有偉大的個性,能夠像換衣服一樣自我更新。
直徑:47 mm
Furnipart 極簡設計師的最愛
網站專屬售價
NT$888
商品編號: Harlequin-25-D47
供貨狀況: 尚有庫存

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商品介紹

Harlequin

Minimalism and décor for Harlequin and Linear Collection,   An ideal proposal for the contract sector that arises from the interpretation of design as a means of expression of different fonts and styles to best suit every design input. This concept finds its greatest expression in the unusual grips, true stylistic elements of texture, with which you can create different looks, and always sought after contemporary taste for doors of great character able to renew itself just like a change of clothes.

Harlequin 和 Linear Collection 的極簡主義和裝飾,合同部門的理想建議,源於將設計解釋為表達不同字體和样式的一種方式,以最好地適應每個設計輸入。這一概念在不尋常的把手、真正的風格元素紋理中得到了最大的體現,您可以通過這些元素創造不同的外觀,並且始終追求現代品味,因為門具有偉大的個性,能夠像換衣服一樣自我更新

Meneghello Paolelli

The design studio Meneghello Paolelli Associati is located in Milano and consists of two designers – Sandro Meneghello and Marco Paolelli. Their collaboration with furnipart started in 2016 and despite the relatively short period of time, Meneghello Paolelli Associati has already created different designs for the regular collection – designs that are already considered classics. Meneghello Paolelli Associati has collaborated with many brands, including Artceram, Nobili and Ceramica Bardelli. The duo say that they strive to retell and challenge the Danish design tradition in their work – and using their own unique mode of expression. The results are handles and knobs with beautiful, understated details that never detract focus from the functional but instead are used to support the design or to tell a story.

Meneghello Paolelli Associati 設計工作室位於米蘭,由兩位設計師 Sandro Meneghello 和 Marco Paolelli 組成。他們與 furnipart 的合作始於 2016 年,儘管時間相對較短,但 Meneghello Paolelli Associati 已經為常規系列創造了不同的設計——這些設計已被視為經典。Meneghello Paolelli Associati 與許多品牌合作,包括 Artceram、Nobili 和 Ceramica Bardelli。兩人表示,他們努力在作品中復述和挑戰丹麥的設計傳統——並使用他們自己獨特的表達方式。結果是手柄和旋鈕具有美麗、低調的細節,不會分散對功能的關注,而是用來支持設計或講述故事

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